Datsik | Space Jesus | Riot Ten | Wooli
Tickets: $25 In Advance | $28 Day Of Show | $40 Premium Balcony
Premium Balcony includes access to exclusive balcony & lounge, private bar & private restroom.
This is an 18+ event. A valid, government issued, photo ID is required for entry.
“I think dubstep has become so huge because it’s a complete bastardization of electronic music,” exclaims rapidly emerging young producer and artist DATSIK. “There’s a little bit of everything thrown in the mix and dirtied up. There are pieces of hip-hop, the bass from electronic dance tracks and the roots of U.K. garage and drum & bass…Dubstep is totally the punk rock of electronic music.” If DATSIK (born Troy Beetles) sounds more like a young rapper than one of the world’s preeminent young dubstepstars, it’s for good reason. The Kelowna, British Columbia, native grew up a hardcore rap fan that still pledges allegiance to classic Wu-Tang Clan and it permeates his dark, aggressive music. DATSIK’s future-tech dance-floor detonators exploded on the dubstep scene almost immediately, racking up a series of seven #1 tracks on Beatport, including at one time owning five of the ten tunes on their best-sellers chart. He’s also had smash hits on other music sites like Juno, Red Eye and Chemical Records and early remix credits include works for the biggest names in the game like Diplo, The Crystal Method and Bassnectar. Now he’s produced a dozen new tracks for his debut full-length album, VITAMIN D on Dim Mak Records, featuring collaborations with Infected Mushroom, DJ Z-Trip and Jonathan Davis of KORN. “I’ve been a KORN fan since back in the day,” DATSIK explains about Jonathan Davis who reached out to him directly to collaborate on KORN’s 2011 genre-defying album The Path of Totality. “He was so complementary about our music and how much he loved it. So when he said he wanted to work with us, we couldn’t say yes fast enough.” The spooky resulting track “Evilution” was built from another Jonathan Davis collaboration, this time with Israeli psy-trance band Infected Mushroom. Collaborating after a chance meeting backstage at New York’s massive Electric Zoo festival last summer, the pair brought their wildly disparate sounds together as one. “Blending dubstep with psy-trance and Jonathan Davis sounds kind of insane,” DATSIK admits, “but the track came out great and I’m stoked on it.” Next to manic dubstep tracks like the menacing “Napalm” (featuring rapper Messenian), the grimy, hip-hop swagger of DJ Z-Trip collaboration “Double Trouble” and the devastating first single “Fully Blown” with rapper Snack the Ripper, DATSIK’s debut album VITAMIN D is poised to set a new standard in the wild world of dubstep. Loaded with bone-rattling beats and enough energy to power the Vegas Strip, it’s poised to be the dubstep full-length to beat in 2012. “It’s important to me to have my own style,” he stresses, citing Method Man as the one artist at the top of his collaboration “bucket list.” “I will always have a strong hip-hop element and be heavy as f—, but it’s always going to sound like the future.”
Space Jesus is the feeling you get when you travel through a wormhole in a fresh pair of Jordans. Currently residing in Boulder, CO, Jasha Tull was born in New Jersey and raised on hip hop. With his alarm set to NYC’s Hot 97 throughout elementary school, Jasha started making beats at a young age, and created Space Jesus as a vessel to express his personal experiences through music. With a focus on alien basslines, gangster beats, and future feels, the Spaceman imprints his signature sound onto each genre he graces. After building a reputation for his dynamic live performances, and with appearances at Tomorrowworld, Shambhala, Mysteryland, and beyond under his belt, Space Jesus continues to explore the auditory universe in search of lower frequencies.